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Ventoencanado
Equipamento
Pós-Produção
Gravação Audio
- Gravação Audio
- Microfones
- Audio Wireless
- Protecções de Vento & Suspensões
- Audio Acessórios
- Audio Transporte
Gravação Video
Óptica
Maquinaria
Iluminação
Avid HD Omni
Documentos
Avid HD Omni Datasheet
Manual Avid HD Omni_English
Descrição
As the hub of any music studio, the HD OMNI digital audio interface from Avid can be used to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitoring their performance through a discrete mix. No need for multiple interfaces. Everything can be done within the single-space rack HD OMNI.
Overdub and Foley recording capabilities are available for post production, in addition to creating monitor mixes with up to 7.1 channels. Further, the user can fold down mixes from 7.1 to almost any channel configuration subset required.
The interface features premium analog-to-digital and digital-to-analog converters that deliver high audio fidelity, extensive dynamic range, super-low jitter, and the lowest possible latency. Built-in sample rate conversion and a soft clip feature allows for worry-free performance, while Curv, a built-in soft-knee limiter catches even the fastest transients.
For those occasions when the Pro Tools software doesn't need to be launched, or even the computer turned on, the interface features a built-in, customizable, 14-input monitor mixer, allowing for the continued monitoring of external sources, such as keyboards, drum machines, and digital music players, independently from the recording setup.
The interface provides maximum performance, dependability, and control of all inputs, outputs, and routing right from the Pro Tools software interface. The interface and Pro Tools HD hardware will function with other DAW software via full support of Core Audio and ASIO drivers.
Note! A minimum of Pro Tools HD 8.1 or higher software is required to use this interface. A free update is available for download to all registered Pro Tools HD 8.x users.
Analog I/O
24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters, with support for sample rates up to 192kHz
Two high-quality microphone/DI preamps
Two XLR and 1/4-inch TRS front panel combo inputs for microphone and instrument level input
Two XLR back panel microphone inputs
Two 1/4" TRS Send and two 1/4" TRS Return jacks for hardware inserts on channels 1 and 2 (back-panel)
Four analog 1/4" TRS line level back panel inputs (channels 1-4)
Soft Clip and Curv limiting circuits to protect against clipping on analog input
Eight channels of analog output using a DB-25 breakout cable (sold separately) with variable output gain
Two channels of analog output using 1/4" TRS jacks (mirrors channels 1-2 or 7-8 on DB-25 connector)
Front panel stereo 1/4" headphone jack
Route audio independently from Pro Tools with the 14-input persistent monitor mixer
Digital I/O
Eight channels of AES/EBU output (up to 192kHz Single Wire) using a DB-25 breakout cable (sold separately)
Two channels of AES/EBU XLR input (up to 192kHz Single Wire)
Two channels of S/PDIF RCA input and output (up to 192kHz)
Eight channels of ADAT TOSLink input and output
Support for ADAT S/MUX optical for sample rates of 88.2, 96, 176.4 and 192kHz
Support for two channels of S/PDIF optical with sample rates of up to 96kHz
Real-time sample rate conversion (SRC) on digital Inputs 1-2 of either AES/EBU, S/PDIF, or optical S/PDIF
Monitoring
Additional stereo "CUE" output path in Pro Tools for headphone monitoring from the front panel headphone jack
Front panel Control Room (MAIN/ALT) and headphone monitoring volume control
Flexible monitoring with fold-down from all stereo and surround formats (up to 7.1 surround)
Input mixer for low latency direct monitoring of a variety of incoming signals (configured in the Pro Tools Hardware Setup)
Synchronization
Loop Sync input and output for connecting additional Pro Tools HD interfaces and peripherals
External Clock input and output for synchronizing HD OMNI with external Wordclock devices
Pós-Produção
Gravação Audio
- Gravação Audio
- Microfones
- Audio Wireless
- Protecções de Vento & Suspensões
- Audio Acessórios
- Audio Transporte
Gravação Video
Óptica
Maquinaria
Iluminação
Avid HD Omni
Documentos
Avid HD Omni Datasheet
Manual Avid HD Omni_English
Descrição
As the hub of any music studio, the HD OMNI digital audio interface from Avid can be used to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitoring their performance through a discrete mix. No need for multiple interfaces. Everything can be done within the single-space rack HD OMNI.
Overdub and Foley recording capabilities are available for post production, in addition to creating monitor mixes with up to 7.1 channels. Further, the user can fold down mixes from 7.1 to almost any channel configuration subset required.
The interface features premium analog-to-digital and digital-to-analog converters that deliver high audio fidelity, extensive dynamic range, super-low jitter, and the lowest possible latency. Built-in sample rate conversion and a soft clip feature allows for worry-free performance, while Curv, a built-in soft-knee limiter catches even the fastest transients.
For those occasions when the Pro Tools software doesn't need to be launched, or even the computer turned on, the interface features a built-in, customizable, 14-input monitor mixer, allowing for the continued monitoring of external sources, such as keyboards, drum machines, and digital music players, independently from the recording setup.
The interface provides maximum performance, dependability, and control of all inputs, outputs, and routing right from the Pro Tools software interface. The interface and Pro Tools HD hardware will function with other DAW software via full support of Core Audio and ASIO drivers.
Note! A minimum of Pro Tools HD 8.1 or higher software is required to use this interface. A free update is available for download to all registered Pro Tools HD 8.x users.
Analog I/O
24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters, with support for sample rates up to 192kHz
Two high-quality microphone/DI preamps
Two XLR and 1/4-inch TRS front panel combo inputs for microphone and instrument level input
Two XLR back panel microphone inputs
Two 1/4" TRS Send and two 1/4" TRS Return jacks for hardware inserts on channels 1 and 2 (back-panel)
Four analog 1/4" TRS line level back panel inputs (channels 1-4)
Soft Clip and Curv limiting circuits to protect against clipping on analog input
Eight channels of analog output using a DB-25 breakout cable (sold separately) with variable output gain
Two channels of analog output using 1/4" TRS jacks (mirrors channels 1-2 or 7-8 on DB-25 connector)
Front panel stereo 1/4" headphone jack
Route audio independently from Pro Tools with the 14-input persistent monitor mixer
Digital I/O
Eight channels of AES/EBU output (up to 192kHz Single Wire) using a DB-25 breakout cable (sold separately)
Two channels of AES/EBU XLR input (up to 192kHz Single Wire)
Two channels of S/PDIF RCA input and output (up to 192kHz)
Eight channels of ADAT TOSLink input and output
Support for ADAT S/MUX optical for sample rates of 88.2, 96, 176.4 and 192kHz
Support for two channels of S/PDIF optical with sample rates of up to 96kHz
Real-time sample rate conversion (SRC) on digital Inputs 1-2 of either AES/EBU, S/PDIF, or optical S/PDIF
Monitoring
Additional stereo "CUE" output path in Pro Tools for headphone monitoring from the front panel headphone jack
Front panel Control Room (MAIN/ALT) and headphone monitoring volume control
Flexible monitoring with fold-down from all stereo and surround formats (up to 7.1 surround)
Input mixer for low latency direct monitoring of a variety of incoming signals (configured in the Pro Tools Hardware Setup)
Synchronization
Loop Sync input and output for connecting additional Pro Tools HD interfaces and peripherals
External Clock input and output for synchronizing HD OMNI with external Wordclock devices